Osho on Woman Enlightened Mystic DayaOsho has referred to Women Enlightenend Mystic DAYABAI many times during his discourses and he loves to explain her poems beautifully. &nbsp;He has dedicated full series of discourses, “JAGAT TARAIYA BHOR KI”, on the divine songs of DAYABAI.Osho say about book on Daya, “The tenth book that I am going to talk about now is again not a so-called religious book. It is religious only if you meditate over it… if you don’t read it, but meditate over it. It is as yet untranslated being still in the original Hindi, THE SONGS OF DAYABAI. I was feeling a little guilty because I had mentioned Rabiya, Meera, Lalla, Sahajo, and I have left only one more woman worth mentioning: Daya. Now I feel relieved.THE SONGS OF DAYA. She was a contemporary of Meera and Sahajo, but she is far more profound than either of them. She is really beyond numbers.”Osho compares DAYABAI with cuckoo and says “Daya is a little cuckoo — but don’t be worried…. In fact in India the cuckoo is called koyal, and it does not have the meaning of being nuts. Daya is really a cuckoo — not nuts, but a sweet singer like the Indian koyal. On an Indian summer night, the distant call of the cuckoo; that’s what Daya is… a distant call in the hot summer of this world.”Osho also says “Nobody would have known about Charandas. Sahajo’s songs brought his name to the masses. He had two disciples — Sahajo and Daya, like two eyes of a man, like two wings of a bird. Both sung the songs of Charandas. So people came to know. Soon we will talk about Daya. And her songs are so similar. They are bound to be, because the same master has saved them, they have found shelter under the same master, and the same master’s heart was beating in them. Their songs come from the same source. That is why I have named the series of discussions on Sahajo, “BIN GHAN PARAT PHUHAR, Raining Without Clouds” — these are the words of Daya. When I speak on Daya, then the series will have the words of Sahajo, “JAGAT TARAIYA BHOR KI, World: The Morning Star.” As the setting star of the dawn, just about to disappear, such is this world — “World: the morning star.” It is as if they are both the beatings of the same heart. That is why for Sahajo I used Daya’s words, and for Daya I will use Sahajo’s words…”The sages say: “Just know. Don’t be in a hurry to accept.” How can you believe? If you believe, it will be just a hypocrisy. If you believe, it will be just a lie. And don’t form a relationship based on lies, at least not with God. At least with God be truthful. At least don’t extend your hypocrisy and deceitful behavior in his direction. At least be truthful towards him in this respect – “I will believe in you only when I come to know you.” How can I believe? How can I force myself to believe? Shall I believe out of the fear of hell or out of my greed for heaven, or because I am not very skilled in logic and someone intimidates me with it? Shall I believe for that reason?” Have you seen? No one ever agrees because of logic; at the most you can silence him. It is possible that you may be more skilled in logic and so you can silence someone else. You may stubbornly persist and the other person may not be able to reply to you. But one who has been silenced is never really satisfied. The person who has been silenced has not agreed; he burns within himself, he smolders. He searches for arguments and waits until he can find ones that are better than yours. Even if he does not find better arguments, his life will still not be transformed. This earth is full of false believers. Temples, mosques, gurudwaras – all are full of false believers, who have simply believed. The enlightened mystics say: “Believing won’t do. Taste it! “, An enlightened mystic makes that taste available to you. He pours forth the sweet honey in which he himself is drowning. That is why there is so much emphasis on satsang, on sitting near an enlightened mystic. What is the meaning of satsang? A master, an enlightened mystic, has drunk from the divine wine; you can take a little of it from him. Even if you drink water from the earthenware cup that is him, you will still become intoxicated – because the sediment of that divine wine is still there. Even if you are just sitting near him, tomorrow if not today, the day after tomorrow if not tomorrow, you will begin to sway – something will start resonating in your heart. This resonance is totally illogical! It is beyond your intellect, it is not something your mind can grasp. Enlightened consciousness is when a person has tasted the divine, is when a person’s window has opened, is when his eyes have known. You have to come a little closer to such a person’s eyes. You have to use his eyes as a telescope. You have to get a glimpse through his eyes. That is the meaning of a master. A master is one who has known. A master is the mystic whom you have begun to taste, through whose medium you have begun to know. There is a saying in Tibet: “If you want to find your way around the mountains, then ask someone who walks to and fro on them daily.” Don’t ask the people who have never been to the hills, who have always lived in the valley – even if they have studied many maps or have knowledge of the great scriptures. If you ask them, you will wander aimlessly and get lost. Ask the person who comes and goes every day: the postman, the man who collects the mail and delivers it around. He may not be a great pundit, he may not have any maps, but you should ask him… He has not just heard an echo, he has seen the source of it. It is like this: someone sings a song on a mountaintop and his sound echoes in the valleys. The poets have heard the echo, the mystics have seen the musician himself. The poets have captured the echo, the resonance of the music which rises in the valleys; the mystics have absorbed it by sitting directly in his company. Naturally, the power of their speech is unprecedented. A poet is more skilled in an artistic sense because he has a talent for poetry. A mystic is not so skilled in an artistic sense because he has never learned the art of poetry. So from the point of view of poetic artistry the words of the mystics may not be great poetry, but from the viewpoint of truth they are supreme poetry. Then there is the third kind of poet who is neither a sage nor a poet; he only has the knowledge of poetic artistry. He knows everything about figures of speech and meter. He just rhymes his verses on this basis. He hasn’t seen the truth, or even the shadow of the truth, but he knows linguistics, he knows grammar. He is a rhymer. He can rhyme words. Ninety out of a hundred poets are rhymers. Sometimes they rhyme very well, verses that charm the heart. But they are rhymes; there is no life in them, there is no experience in those verses. Their words are clever: they have counted their syllables, they have observed the rules of meter and its teachings. Ninety out of a hundred are rhymers. Of the remaining ten, nine are poets and one is a true sage. Daya is such a one: a devotee and an enlightened mystic. Not much is known about her. Devotees never leave much information about themselves.Daya has trodden the path and is acquainted with it. She has left no stone unturned on that path. She has died in the dust of the path. Treading on the path, traveling on the path she has become empty in every way. Now just the fragrance of the path is there. That very fragrance has appeared in her small verses. Daya belongs to those devotees who have left no information about themselves. They drowned so much in singing songs of the divine that no time was left for leaving information. Just the name is known. Now what is special about a name? Any name would do. But one thing is certain, she has remembered the name of her master — she has sung songs of the divine and remembered the name of her master. Her master was Charandas; his two disciples — Sahajo and Daya. Charandas has called them his two eyes.Both remained in his service their whole life. When you have found the master, service is the discipline; just to be close is enough. Whether they practised anything else is not known. But this is enough. If someone has achieved, it is enough to be with him. When you pass through a garden, your clothes catch the fragrance of the flowers. If you are with the one who has known, your being catches the fragrance. The fragrance flows, spreads. So they must have been massaging his feet, preparing food for the master, fetching water, doing just small errands.There is not much of a difference between their verses either. The master is the same, so whatever has flown through them cannot be very different. Both drank from the same cup — the same taste. And they come from the same village, in the same region that Meera came from. Blessed is that region, because no other region has the prerogative of giving birth to three women mystics together.Source:Listen to complete discourse at mentioned below link.Discourse Series: <a href="https://oshoworld.com/osho-audio-discourse-english-a/" target="_blank" rel="noreferrer noopener">The Last Morning Star Chapter #1</a>Chapter title: Remembering the DivineReferences:Osho has also spoken on women mystics like Daya, Lalla, Meera, Mallibai, Magdalen, Rabiya, Teresa in the course of His discourses. Some of these can be referred to in the following books/discourse titles:<ol type="1"><li>And the flowers showered</li><li>Showering without clouds</li><li>Books I have loved</li><li>The Last Morning Star</li><li>The Perfect Master</li><li>The Razor’s Edge</li><li>The Sword and The Lotus</li><li>Turn On, Tune In, and Drop the Lot</li><li>Come, Come, Yet Again Come</li><li>The Dhammapada: The Way of the Buddha Vol.8</li><li>The Great Pilgrimage: From Here to Here</li><li>I Celebrate Myself: God Is No Where, Life Is Now Here</li><li>Come Follow To You Vol.1</li><li>Tao: The Three Treasures Vol.2</li><li>Beyond Enlightenment</li></ol><style>.footer-ad{display: none !important;}</style>